Sometime last year, it occurred to me just how lucky I am to live in this era. Sure, fashion wise, I'd much rather have been a girl about town in the 1920's, wearing sequined headbands and drop waisted dresses, doing the Charleston at my local speakeasy and harboring dreams of being a Zigfeild girl or even being in a talkie one day but if that had been the case, I wouldn't live in the age of youtube. The site's pretty much altered the daily existence of life and drastically changed the way the world consumes entertainment and I, personally, am especially thankful for the website's inception because, without it, I may never have been able to see Let The Right One In. It was sometime in early summer and I lived with a wonderful, sarcastic, and off-putting girl not unlike myself named Sara. One night, we decided to watch a film called [Rec] on youtube, based upon a comment on one of Oh No They Didn't infamous creepy posts that said the film's ending was the scariest thing that had ever been put to film. (This was in the glory days before Paranormal Activity ruined everyone's perception of scary in cinema.) The next night, I decided to continue the trend of streaming modern foreign horror fare and checked out a movie I'd heard nothing but amazing things about, the 2008 Swedish vampire flick, Let The Right One In.
Let The Right One In surpassed being one of my favorite films of the year and went straight to being one of my favorite films of all time. It's not often that a vampire film is understated and realistic and it's even less often that a vampire film is heartfelt and affecting without being sappily romantic. Blame my early teenage obsession with Buffy The Vampire Slayer (Hey, what can I say? I'm a feminist.) but I've always had a soft spot in my empty-chest-cavity for bloodsuckers done right. Twilight? Don't talk to me about that shit. True Blood? Please do talk to me about that shit, especially that Eric Northman. Me-ow! Regardless of my lustings, however, nothing in modern pop culture comes close to getting vampires right as Let The Right One In. The film is near and dear to my heart so naturally, when it was announced that the movie would be remade, Americanized, and called Let Me In, I was perturbed to say the least. Why, exactly, was it necessary to remake the masterpiece into what I feared would become standardized subtitle-less tripe? I even went so far as to begin a blog, in my sort-of-series on unnecessary sequels, as to why Let The Right One In should just be released to a wide audience in the states and the sequel should be halted mid-production. In the past 24 hours, however, I have had a change of heart.







